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- Smoking Guns
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Re: Slash to Axl: "Whatever, Dude."
Thanks to Funky Monkey at HTGTH
Slash Shrugs Off Axl Rose's Latest Tirade, While In Vegas
Posted by Doug Elfman
Sunday, Mar. 15, 2009 at 02:29 AM
Ex-GNR guitarist Slash was in Las Vegas Saturday night to see Terry Fator’s new show at the Mirage. I asked Slash if he heard about Axl Rose’s latest tirade — Rose calling Slash a “cancer” and saying he’d never reunite with Slash.
“Ah, yeah,” Slash told me. “But you know, it’s one of those things with him. It doesn’t really affect me at all. At this point, it’s starting to become a little bit — he’s just sort of like — whatever.”
Slash couldn’t seem to find the right words, because he didn’t seem to care, I think. He looked like he was shrugging a bit. I lit Slash’s cigarette and told him he looked unfazed.
“It’s been a long time,” Slash said. “The fact that he has anything to say at all — it’s like, whatever dude. It doesn’t really matter.”
Right after Slash said this, I asked him what else he would be doing in Vegas this weekend. Just then, his wife, Perla Hudson, walked up, heard my question and responded:
“We’re gonna go have sex! All kinds of sex. Loving sex. The kind of sex parents don’t get to have at home — when they go to Vegas.”
In other words, between Axl and his wife, Slash seemed pretty clear about which one was going to get a rise out of him.
Slash is working on a solo album, reportedly with guest vocals from Ozzy Osbourne, Fergie and other singers. Or as Hudson told me: “He can’t mention it, but it’s superstar singers. It’s on the DL.”
- Smoking Guns
- Rep: 330
- mickronson
- Rep: 118
Re: Slash to Axl: "Whatever, Dude."
the best response to an immature rant is no response.... nice one slash
- mickronson
- Rep: 118
Re: Slash to Axl: "Whatever, Dude."
everyone wants to work with Slash... Axl cant keep a guitarist to save his life...
hmmmm
Re: Slash to Axl: "Whatever, Dude."
Hmmm, yeah.
...But you know Slash has talked about it for the past 12 years.
"Yeah you know I love Axl, but.... it was all his fault, you it's just him he's a nutter. "
Not to sound like a nutswinger or repeat myself every time, but Axl has only talked about this like 4 or 5 times in the last 12 years. I think it's messed up that, that only Axl gets stick.
- WeTheLiving
- Rep: 10
Re: Slash to Axl: "Whatever, Dude."
Dude....Axl went into seclusion again, and came back out just to bash Slash. That "interview" served no purpose but to bash him. It was rediculous. This entire CD circus is just damn wierd. "He should have left after lies..." Yeah if you wanted UYI to sink into a sound of mediocrity that reiks of..."It just sounds like its missing something"
I read something on the internet about skid row touring without BAZ and he actually said..."I cant believe they did it....they runined the name...." lol
Re: Slash to Axl: "Whatever, Dude."
That "interview" served no purpose but to bash him.
Del James: As reported, were you, either in your mind or otherwise, trying to create the "best album ever made"?
Axl Rose: No. That's f---ing ridiculous and more negative media nonsense. We were all just trying to do our best for the fans and ourselves.
At any point did you feel or say either you or the band had to make a "masterpiece"?
Of course not -- more unaccountable nonsense. Obviously, media, elements of the public, fans and our detractors had all kinds of things going on such as high hopes, expectations, pressure, naysayers, etc. I don't think anyone would mind discovering a diamond mine and I don't think anyone in any competitive field would get very far if they didn't have dreams, aspirations or simply hope to do well. That said, these types of comments are more from our detractors, pulled out of their ass if not thin air.
Do you feel that your alleged sense of perfectionism has delayed the release of the album?
No. Guns in any lineup wasn't going to release anything all that great any sooner. And no matter how any of us tried, that didn't happen, and often while any number of us were pushing to try and do so with whatever we had going at the time. In regard to so-called perfectionism, I feel that has a lot to do with your goals or requirements with whatever one's doing or creating. Different levels may be required for different objectives. If you're making brakes for a vehicle, what's required? It's all relative, right? You try to make the best calls you can at any given moment and go from there. Generally, when this term is used by others in regard to me or how I work, it's said in a negative way or as an excuse for their shortcomings -- and again by my detractors. Whether they are open about such or not, some people love putting others in a negative light; helps them feel better about themselves. Too many ears and too many stupid comments have proven that.
Why so many guitars on 'Chinese Democracy'?
Why not?
Seriously, past Guns records have only two. Why did you feel the need for more on this endeavour?
I understand it's for whatever reason a bit of a challenge for most people to feel comfortable in their minds with any band having more than two guitarists, but technically, as far as our recording goes, we're a bit more alike with the older recordings than one might think. On the older records, though, it's very distinct that there are generally two guitar parts -- each part is actually performed and recorded twice, giving a fuller sound, so in effect you have four guitars. Leads and fills are another pass, and often songs were originally written and demos were done with other guitarists as well.
On 'Chinese,' instead of having the same player double his part, we chose to add another voice and either each player's own take on the part or their take of another's, then there's leads and fills which vary from one person or a few on a track. Also on this record, though, you may have one player playing more than one part in a section; they generally tend to be two distinct parts and not overdubs or harmonizing with their own leads or fills. No way is better than another; it's just whatever works for what you're trying to do, what you personally want or for whatever reason you feel you either need, choose or like.
For this record, I wanted a blend of different-style sounds and approaches; some at least a bit unique to the individual players and their takes on these songs. I feel the different personalities and techniques give the material its own sense of originality. Live, I prefer the more solid approach of the three guitars now, especially as the performances with the rhythm are more energetic, consistent and reliable. It was fun having Izzy on board a bit adding yet another voice to the mix and seemed to work better for the songs this way, as opposed to having him by himself.
Who's your favorite drummer you've worked with?
I've liked elements that each brought in. Josh [Freese], [Brian] "Brain" [Mantia] and Frank [Ferrer] have been the easiest to work with and get along with, as well as it being fun to hang out with any of them. I do feel that all three were the right drummers to make this album. The rehearsals with [Dave] Abruzzesse and Pod as a duo were really cool; it was a shame then that it didn't work out but seemed for the best once we found Josh. In regard to old Guns, I don't listen much and for different reasons -- more because of the drums than anything else.
With 'Appetite,' for me the parts, playing, etc., timing flaws, whatever, are perfect, and as a moment in time for me, the whole record is. That said, the sound of the drums, which at the time in our niche of the woods was a bit of a bold statement and a somewhat successful effort to change things from the current flow at the time, and so may have been necessary but for me sound the most dated of anything there sound-wise.
With 'Illusions' several years ago, something came on the radio and I realized how the energy in the drums, though solid and consistent, brought me down in a way I feel damaged the material in the long run, if not from the get-go. Maybe it's there with some, most or all of us in ways, but I specifically notice it more with the drums. And when listening in that sense of analyzing how something feels to me in regards to its involvement or inclusion in the song, whether anyone disagrees I'm somewhat capable of removing myself and events from the picture.
For m,e it's more about certain energies and feel, and I'm not into what we did there for a good bit in regard to the drum work. To actually have a drummer that could play at the time, though, was a bit too overwhelming. The public has no idea what went into Steven's parts and the notion of getting through songs in rehearsal if ever, with no exaggeration, was unfortunately a nightmare that neither I or Izzy could take, and eventually the others as well, though they lasted longer for other reasons.
[b]Who's in the band?
I think we'll go with a combo of who's around and who's on the album for now and worry about that when we get ready to tour.
Is Robin [Finck] in the band?
Last I was aware, he had some interest in touring, though I can't say what that means until then. In our opinion, he's made things a bit awkward publicly, but that's just his way.
Is Brain in the band?
Last I checked. Brain works on several things with Guns either from his home or in the studio.
So you have two drummers? Will they both tour?
Yes, and who knows?
When's the next album?
Have no idea and don't care. Hopefully, we'll be working 'Chinese' for a good bit. Of course there's the same idiots that have been around forever already demanding release dates.
How much material is there?
Not as much as Baz [Sebastian Bach] thinks he heard! Really, it doesn't matter. If things go well enough, we'd like to get another out at some point in our lifetimes.
Is anything finished?
Depends how you look at it.
How do you look at it?
Not something we've focused on.
You're not saying much.
You got that? What I can say is if you don't like this, then you probably won't like that. Same people, lots more approaches, bit meaner in places and darker in some. Robin does a really great Stevie Ray Vaughan-type solo on one track.
