Now that I've actually READ all the posts - I just wanted to say something about the whole Axl/Slash debate thing. It's a FACT (as in documented, more or less) that Slash quit the band because Axl wanted to go in various new directions. I for one, initially had my doubts - I wanted an asshole, and I didn't know who it was - and let's face it - Axl's an easy one to pin the asshole label on. As time went on, and no Gn'R material came out, I was seriously in need of a shot of whatever it was that I got out of Gn'R - so I bought and listened to just about everything Slash made or was on - and nothing, nothing - nada zilch. I mean - sure if you're just looking for good rock, etc - it was that, but it was just that. It was generic, maybe good - but overall fairly generic. I personally LIKE hearing something I've never heard before, and Slash was not providing me with that, and therefore - the tracks were all forgetable to me, same applies double to all the Velvet Revolver.

I WANTED to like the material. I TRIED to like it - No cigar.

I went out and hunted down the Izzy Stradlin' material - and I love Izzy, but again - the songs were good, but none of them had that 'holy shit, i can't believe this song is this good' feel that I got from the best GN'R work.

It's kind of about the music, and I love that Axl wanted to vary his sound, and it's kind of about the words, because - by god - Axl plumbs a lyrical mine that I personally resonate to very strongly - he is quite easily at his best with brain-shape songs - songs that are almost psychological examinations, introspective voyages through mind-fucked terrain.

But more so - it's about the words AND the music - it's how the song moves and shapes to mold the particular sentences into angry, wrathful, hopeful, desolate, loving, painful, pangs of meaning.

In cinematic terms - it's almost as though Axl were the film director and Slash was an actor - and without direction, he is devoid of meaningful context - and I know this may bring flames - but Weiland (am I even spelling it right) cannot provide the kind of context that I'm talking about here.

Axl gave Slash a context in which he could do the best work Slash has ever, ever, done. In the context of Axl's songs, and with the emotional thrust and depth that Axl's lyrics and melodies provided - Slash was magical. Truly magical. I have no doubt in my mind that the guitar parts in Estranged could not have been pulled off by ANYBODY else - and I don't mean that from a technical standpoint. Axl himself suspected this - which is why he specifically thanked Slash for his work on Estranged in UYI II's CD insert.

Axl's no fool, he knows damn well he provided the context, but he also knows that what Slash pulled off within that context was magic, soul-searing magic.

And I know for a fact, and history has demonstrated that Slash cannot travel that valley without Axl there to lead him across it.

And so here we are today - deal with the facts. Slash is NOT a member of GN'R - and I believe the work he did with Gn'R will remain unmatched unless he unites with somebody else who can provide him with the calibre of direction and vision and the depth of feel and meaning that Axl provided for him. People who are used to that particular combination will always feel betrayed almost by the fact that this particular coupling no longer exists - tough shit. I for one no longer cherish the guitar solo in and of itself. I am much more interested in songs as a whole, and when a song gives me the kind of emotional and lyrical rush that I can get from the likes of Better, Prostitute, etc - I don't go around wondering where the guitar solo is - and whether Slash might've/could've/would've played it better.

I just love some of the new stuff.

Some tracks, I still haven't quite made up my mind about, namely Shackler's Revenge and Rhiads & Bedouins (and I hope it isn't about what I'm thinking it's about)...but overall - in my mind - Axl is back, and is back with a vengeance, and I'll buy whatever that guy throws onto a cd

Prostitute - as I hear it -

Seems like forever and a day -
If my intentions are misunderstood / please be kind – I’ve done all I should / I won’t ask of you  / what I would not do - Oh
I saw the damage in you / my fortunate one, the envy of you
Why would they tell me to please go then laugh in my face / when all of the reasons they taught us fall over themselves to give way.. / Oh, yeah
It’s not a question of whether my heart is true / Streamlined  /  I had to pull through / Look for a new beginning of you / ohh….
I’ve got a message for you / Hoping  away it’s what I got to do / To give what you have for what you might lose
What would you say if I told you that I’m to blame / And what would you do if I had to deny your name?
Where would you go if I told you I loved you and then walked away / oh, yeah -
What should I tell you about the one that you could not save / oh yeah -
I’d tell you when I found you  / if there were doubts you should be careful and not afraid
Now they surround you / All that amounts to is that you’ve been crippled for fortune and fame
If my affections are misunderstood / And you decide / I’m up to no good / Don’t ask me to / Enjoy them just for you
Ask yourself / what I would do / To prostitute myself / To live with fortune and shame / oh yeah -
When you should have turned to the hearts of the ones  / That you would not save
I told you when I found you / All that amounts to
Is love that you’ve crippled for fortune and fame